Poetasters, dirty politicians, and other liars soil the cosmos. Exposing them stays in my toolkit. I review charlatans so friend don't have actually to!


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Introduction and also Text of "Identity"

Julio Noboa Polanco's item of doggerel, title "Identity," has end up being an web favorite; unfortunately, this clumsy verse employs the usage of hyperbole that outcomes in nonsense. The objective of exaggeration is come emphasize the properties of part entity or event, no to pervert the subject into something that is not. For example, one’s thoughts may be hyperbolically expressed as soaring like an eagle. But if one areas those thoughts in the mental of a weed clinging to a cliff, the possibility of trip becomes impossible. The ludicrous comparison shows up in the second versagraph the this poem: "I'd rather be a tall, ugly weed, / clinging top top cliffs, choose an eagle / wind-wavering above high, jagged rocks."


The layout of the piece centers on the really human and admirable desire because that freedom and individuality. The speaker, therefore, is asserting that unlike all the misguided souls who pick to live a disciplined life, this speak proudly announces that he prefers to stay a rowdy rebel, yet the speaker unfortunately chooses to to compare himself and his compatriots come plants. The desire for liberty precludes the desire to be an reality that is rooted to ground.

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A perverted type of appropriateness is afloat in the fact that the versagraphs continue to be uneven in the ~ pretend poem. Technical skill and logic room both severely lacking in the web sensation.


Identity

Let them be together flowers, constantly watered, fed, guarded, admired, yet harnessed to a pot of dirt.

I'd quite be a tall, ugly weed, clinging top top cliffs, favor an eagle wind-wavering above high, jagged rocks.

To have broken through the surface of stone, come live, to feel exposed to the insanity of the vast, eternal sky. To it is in swayed by the breezes of an ancient sea, carrying my soul, mine seed, past the mountains of time or right into the abyss of the bizarre.

I'd rather be unseen, and also if then shunned by everyone, 보다 to it is in a pleasant-smelling flower, cultivation in clusters in the abundant valley, where they're praised, handled, and plucked through greedy, human hands.


I'd rather smell that musty, environment-friendly stench than of sweet, fragrant lilac. If I can stand alone, solid and free, I'd fairly be a tall, ugly weed.

Reading of "Identity"


Commentary

In Julio Noboa Polanco's "Identity," the expression the the heartfelt desire because that freedom and also individuality stays shrouded behind mixed metaphors and the inappropriate use of hyperbole.

First Movement: Ludicrous Dichotomy and also Mixed Metaphor

Let lock be together flowers, constantly watered, fed, guarded, admired, yet harnessed to a pot of dirt.

I'd fairly be a tall, ugly weed, clinging top top cliffs, like an eagle wind-wavering over high, jagged rocks.

The speaker concocts a perverted dichotomy in between himself and his fellows, who he identifies merely as "them." leaving those others, "them," unidentified, however, the speaker takes together his task to castigate those who carry out not agree v his particular brand of freedom philosophy.

The speaker's opening lines mix a an allegory of flower and horse. Those various other people, whom the speak disdains, are favor well-kept flowers in a flower pot, but he states they are "harnessed come a pot that dirt." horses are harnessed, not flowers. His mixed metaphor betrays the item as nonsense. Blended metaphors cannot interact accurately, as the mix creates only confusion and also disorder.


The first part that the dichotomy is the flower, and the 2nd is a weed; thus, the speaker is do the efforts to to convince his readers that being a weed is better than being a flower. He cases that that prefers to it is in a huge ugly weed, and he likens the ugly weed, which also lives fastened to dirt simply as the flower in a pot does, to an eagle. The absence of logic here is breathtaking: eagles fly, plants perform not! that matters no that the plant resides admired in a pot or grows the end on the prairie unseen through anyone; no will ever takes wings and fly away together the eagle definitely will. Again, a combined metaphor, right here expressed as a simile, has resulted in nothing but confusion.


Second Movement: The Curse the Postmod Gibberish

To have broken through the surface ar of stone, come live, to feel exposed come the wildly of the vast, eternal sky. To it is in swayed by the breezes of an old sea, delivering my soul, my seed, past the mountains of time or into the abyss that the bizarre.

The speaker then uses a series of infinitives, "to have actually broken," "to feel," "to live," and also "to be swayed." The very first infinitive explains the action of a saxifrage, a plant that has actually burst with some hard surface choose concrete or "stone." The speaker supplies no context for such one action, which walk not appropriately describe any action a human being might take.

But the speaker appears to think that breaking with that stony surface will enable him "to live." and also apparently come him, living is being "exposed come the insanity / that the huge eternal sky." Tell that to victim of tornadoes, hurricanes, and other severe, disastrous storms the maim and kill. Much from enabling him come live, that "madness" can kill him instead.


In a vague, meaningless, and also stupendously absurd claim, the speak asserts that he would choose his "soul" and his "seed" to be lugged by the winds of "an old sea" to part "abyss the the bizarre" which supposedly exists "beyond the mountains of time." Again, the effort at hyperbole continues to be nonsensical. If he is a weed, his seed might be carried far and broad by the wind. However trying to do the locations where the seed can land into "an ancient sea" "beyond the mountains of time" creates a vagueness that continues to be unrealizable.

The "abyss the the bizarre" opens up the hyperbolic sailing on the wind come the level of an absurd abstraction. The poetaster is obviously striving to sound profound yet fails to even offer photo that can be perceived.

Third Movement: Confusion and Contradiction

I'd rather be unseen, and if then shunned by everyone, than to it is in a pleasant-smelling flower, growing in swarm in the productive valley, where they're praised, handled, and plucked by greedy, person hands.


There appears to it is in a structure error in the opening line in the movement. The "and if" appears to it is in dangling, providing no an interpretation and only confusing what the speak is trying come say. Perhaps he way "or," however actually omitting the phrase might enhance an interpretation somewhat.

The speaker has already claimed that would like to be a weed farming wild and totally free than to it is in a tree in a pot. Now the speaker insurance claims he would prefer to it is in invisible than to it is in a "pleasant-smelling flower" also if that flower is farming in a "fertile valley." This case throws a ridiculous contradiction right into the mix. He desired to a weed to a flower in a pot because the weed is out cultivation somewhere in nature. However now he's denigrating even flowers that thrive wild.


Fourth Movement: A Stinky Weed

I'd quite smell that musty, eco-friendly stench than of sweet, fragrant lilac. If I might stand alone, strong and free, I'd rather be a tall, ugly weed.

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The speaker has now went back to his desire to it is in a weed—and a stinky weed at that. That would favor to stink and "stand alone" 보다 to it is in a sweet smell lilac. He fancies the those ugly, tall, stinky weeds have more freedom 보다 sweet-smelling flower that people enjoy. The concept is ludicrous. A weed does not, in fact, possess an ext freedom, nor is that stronger, 보다 a flower.

Of course, everyone prefers to live as a being that possesses strength and freedom. Thus, this would-be poet’s instinct for freedom is well-grounded and also even admirable, but unfortunately his execution that this poem continues to be a hyperbolic disaster.